In the realm of artistic expression, the concept of 'sonder' takes center stage in this captivating musical theater piece, as explored by John Shand's review. This unique performance, presented at the Old Fitz Theatre, challenges the traditional boundaries of musical theater with its innovative approach. With a single performer, Riki Lindsey, the show delves into the life of Romeo, a character grappling with identity and the complexities of love in New Zealand. The narrative, crafted by Lindsey, explores themes of martial arts, family dynamics, and the pursuit of approval, all while blending conventional storytelling with myth and ritual. The production's visual and aural elements, directed by Alexander Berlage, create a captivating atmosphere, using reflective triangles and electronic dance music to enhance the storytelling. However, the review highlights a potential issue with the writing, suggesting that the character's journey lacks depth and engagement, making it a challenge to truly connect with Romeo's experiences. Despite this, the show's audacity and departure from conventions earn it praise for its boldness. The review also touches upon the musical aspects, praising the arrangement of Schubert's Fantasy by the Australian Chamber Orchestra, where the use of clarinet and horn adds depth to the performance. Additionally, the Sydney Philharmonia Choirs' rendition of Durufle's Requiem and Poulenc's Gloria is noted for its emotional impact, with conductor Elizabeth Scott's balanced approach and the choir's harmonious performance. The article concludes by emphasizing the importance of embracing unconventional artistic endeavors and the power of music to convey profound emotions.
